
Editor’s Note: Anna Perman and David Robertson contributed equally to this article.
Sara and Gina are collecting baby teeth, to build a palace.
Gina: “The experiment has gone so far, without even being made, that it’s become an interesting journey. What we saw as the end was actually the start.”
Sara: “And the end doesn’t matter so much.”
Gina: “There is no end. But I don’t want to be sticking teeth to a sculpture for the next ten years.”
Gina Czarnecki is a Liverpool-based artist working on a sculpture made of donated baby teeth, to be displayed in the Science Museum. Her collaborator, Professor Sara Rankin, a member of the Blast research group, works next door to the museum at Imperial College, London. Sara is not an artist. The sculpture is something that she does on top of her successful career researching on stem cells.

Gina and Sara chose to use baby teeth as a material for the sculpture because, although considered something that can be thrown away, they are actually a source of valuable stem cells. They can be used for science, but the teeth bring up issues of belief and myth because of their association with the tooth fairy. There are also issues around consent, in that the teeth have the added value of having been donated.
But the project seems to have moved away from science, which brings into question whether the artwork, or the science is more important.
“For me, the science is a priority,” Sara explained. “I don’t want to become a science communicator, and I think my value is in bringing my specific knowledge and expertise to any project in terms of the science.”
From an outsider’s perspective, it seems that if the science is hidden in an artwork, the tangible returns from such science outreach is tiny. It is unlikely to have a profound impact on most of the audience, and generally, outreach is of little benefit in an academic career. So why do scientists like Sara bother with projects that bring their work to a wider audience?
Andrew Phillips, another member of the Blast group, runs more traditional workshop-based outreach with the Royal Institution. Like Sara, the problem is not lack of motivation to participate in outreach projects. He explained how getting the time to and funding to fit these projects in is often prohibitive for scientists.
“Everything is time – that’s probably why these masterclasses are so expensive,” he said. “Many outreach projects don’t require much in the way of raw materials, but the thought, planning and administration needed means that the time spent adds up quickly.”
The motivation for any individual scientist to reach out with their work will vary, from promoting their research to loftier aims of enlightenment and a vast range of more nuanced positions in between. But one common thread is likely to come up time and again: they enjoy it.
An important reason that Sara’s project works is the enjoyment she gets from her collaboration with Gina. When we interviewed them ideas flowed between them seamlessly. They got lost in the implications of the project, and it was hard not to get caught up in their enthusiasm.
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