Give the Gift of Paleoart!

One of my favorite things about the Internet Age, among many favorite things, is the way in which it facilitates access to some incredible paleontology-themed art. The talented artists who illustrated the dinosaurs of my childhood reached their audiences through books or magazines. Now, a quick Google image search, or a brief stint on Twitter, or a browse through deviantART, turns up countless creative and compelling works by artists around the globe. We are living in an age of incredible abundance. Yet, as noted by many paleontologists and paleontological artists, it is still incredibly difficult even for well-known artists to be compensated appropriately for their talents.

Want to make a difference? Support artists by purchasing their work! During this time of the year when many have their eyes towards mass-produced “stuff”, find something a little more unique for someone in your life. What paleontology fan wouldn’t want a compelling print to hang on their wall, or a t-shirt depicting their favorite prehistoric beastie?

Support Original Palaeoart: accuracy, creativity, history

A cause I can get behind! From Witton et al. 2014

Towards this end, I’ve put together a list of a few artists whose work I think is worth highlighting! Of course, this list is not intended to be comprehensive, and I’ve generally gravitated towards people whom I know in real life or on social media, and who have a strong web presence with easy ways to order their work. If I missed anyone, it is not intended as a personal slight–in fact, please add more artists in the comments!

Acheroraptor, by Emily Willoughby. CC-BY, via Wikimedia Commons.

Acheroraptor, by Emily Willoughby. CC-BY, via Wikimedia Commons.

The List (Alphabetical Order, with Twitter handles when available)

Raven Amos (@alaskaanime) has a fun, almost Art Nouveau style to her work. I love the clean lines and bright colors that she brings to the table. Check out her stuff on her deviantART page or her RedBubble page.

Michelle Banks (@artologica) focuses on squishy cells rather than paleontological topics, but her science-themed work is so compelling that I have to include it here! Check out her website or her Etsy shop for more.

Biscuithead and the Biscuit Badgers (@biscuitbadgers) also are not paleoartists per se, but captured my heart with their musical ode to dinosaurs. The video is something special, and the rest of their tunes (available via their website, iTunes, or Amazon) will appeal to anyone who likes quirky, geeky music.

John Conway (@nyctopterus) is well-known to many as one of the core people in the “All Yesterdays” movement. His work captures mood in a way that few do (an unhappy Hypsilophodon is one great example). Visit his website here.

Julius Csotonyi (@JCsotonyi) blends “traditional” and digital media for breathtaking renderings that frequently reach a global audience. My personal favorite is his collage of ceratopsian heads. See more work at his website.

Scott Elyard (@notdeadorgone) creates some truly delightful, original work; perhaps my favorite is his robotic, electronic Triceratops. But, he also has pterosaurs, and…well, just check out his Redbubble shop.

Rebecca Groom (@PixelMech) has gained fame as the creator of Paleo Plushies–prehistoric animals in cuddle-able form! She recently had a successful Kickstarter campaign for a stuffed Velociraptor, and has a variety of other stuffed organisms here.

Doug Henderson painted many of the dinosaurs of my childhood, and has done more than just about anyone else to set high standards for reconstructing dinosaurs within their environments. Look at one of his works, and you are transported to the Mesozoic. See his amazing portfolio here.

Glendon Mellow (@FlyingTrilobite) has established himself as someone who does “Art in Awe of Science” (to quote his website), and is also a positive advocate for artists. As you might guess by his Twitter handle, trilobites hold a special place in his repertoire (and his “baby trilobite” graphic is totally adorable on a onesie).

David Orr (@anatotitan) has produced a series of fun, whimsical logos–dinosaur family crests, as well as Protoceratops rendered in a vaguely tiki-bar motif. Learn more at his website or his Redbubble store.

Niroot Puttapipat (@himmapaan) brings a Victorian sensibility to paleontological art, and it is delightful! Picture Triceratops on a tricycle, or the fable of the tortoise and the hare recast with Cretaceous characters. You can order prints via his Redbubble or deviantART shops.

Sharon Wegner-Larson (@Omegafauna) has work that spans a variety of zoological subjects in paint and textiles, including some gorgeous interpretations of Dimetrodon and Triceratops. See more at her website or her Etsy store.

Emily Willoughby (@eawilloughby) captures the birdy nature of carnivorous dinosaurs–in no small part due to her hours spent observing and photographing today’s birds. And a “Caffeinated Raptor“? Sounds like a recipe for trouble (and some fun art)! See here for links to original art, prints, and shirts.

Mark Witton (@MarkWitton) is widely known as a pterosaur researcher and illustrator, as well as an advocate for high-quality paleoart (err…palaeoart). Just about everyone I know loves his “Quetzalcoatlus chowing down on baby sauropods” piece (below). This link tells you how to get prints of this and other work by Mark.

Pterosaurs feasting, in a classic image by Mark Witton. CC-BY, from Witton & Naish 2008.

Pterosaurs feasting, in a classic image by Mark Witton. CC-BY, from Witton & Naish 2008.

What else can you do to support artists?

Supporting artists isn’t just something for the holiday season–you can (and should) do it all year long! Here are a few ideas:

  • If you’re a researcher, commission an artist whose work you like to depict your latest fossil discovery. Great artwork can be key to capturing media attention, as well as telling your scientific story to a broad audience. Original, high-quality art is worth the investment!
  • Tell your friends about the great art that you’ve seen. Spread the word on social media, and encourage others to support artists.
  • If you are giving a public presentation, use work by up-and-coming artists to illustrate your points (of course, make sure that you have permission to use it, and credit it appropriately!).
  • Decorate your office or home with paleontological art!
  • If you’re looking for something really special for yourself or someone special to you, consider commissioning a piece of original art. This might be a painting, a t-shirt, a logo, or maybe even a tattoo!
  • Be a good citizen — always credit work appropriately, make sure you have permission to use art, pay fair prices for original work (“exposure” doesn’t pay the bills!), and encourage others to do the same. Remember: “Wikipedia” or “The Internet” isn’t a proper citation.

Citation
Witton, Mark P., Naish, Darren, and Conway, John. 2014. State of the Palaeoart. Palaeontologia Electronica Vol. 17, Issue 3; 5E: 10p.

Category: Art, Dinosaurs, Paleontology | Tagged , , , | Leave a comment

Can penguins tell us how far the Cretaceous diving bird Hesperornis wandered?

Don’t mess with Hesperornis. It was a flightless, aquatic Cretaceous bird that measured up to six feet long, had a beak lined with sharp teeth, and was partially responsible for the downfall of at least one scientific career*. It superficially resembled a loon or a penguin–unlike penguins, though, Hesperornis probably propelled itself using its feet rather than its stumpy wings. Hesperornis also had a wide range–fossils within North America are known from Arkansas up to the Arctic Circle. Even during the comparatively balmy Mesozoic, winters would have been cold in the far north. Today’s birds (including many penguins) with this kind of geographic range are often migratory–so was Hesperornis migratory with the changing of the seasons, or did it stay put year-round?

Hesperornis, by Nobu Tamura. CC-BY.

Hesperornis, by Nobu Tamura. CC-BY.

For living species, you can track migration with banding or radio tracking devices. There’s no such luxury for fossil birds, which are sort of…stationary. Bones are all we have. Two major possibilities exist to parse out possible migration patterns: isotopic analysis (looking at the chemical makeup of the bones, which can be affected by where an animal gets its food and water) and bone histology (microanatomy).

Map showing locations of Hesperornis fossils studied by Wilson and Chin (2014; figure from the paper, modified from original by Blakey).

Map of North America during the Late Cretaceous, showing locations of Hesperornis fossils studied by Wilson and Chin (2014; figure from the paper, modified from original by Blakey).

Paleontologists Laura Wilson and Karen Chin set out to determine if bone histology might hold a record of ancient migrations by Hesperornis and its closest relatives. Bone tissue is affected by the way an animal grows–if an animal grows quickly and without pause, the bone shows one pattern, and if an animal grows quickly but experiences pauses in growth (or if it grows slowly), another pattern of bone shows up. Studies in non-avian dinosaurs have reached varying conclusions about what bone anatomy says regarding potential migrations, although an overall opinion seems to be that dinosaurs at high (Arctic) latitudes might show more prominent growth marks than their more southerly relatives, due to sharply distinguished seasons. If an animal stayed put for the winter, the cold temperatures (and associated decrease in food availability) would have slowed down its growth. An alternative viewpoint suggests that sharp growth marks resulted from the stress of migration, and still another viewpoint posits that you can’t really tell much of anything about migration from bone microanatomy. At least part of the conflicting story resulted from a dearth of studies on modern migratory and non-migratory animals that were good analogues for Mesozoic animals.

Penguins to the rescue! Conveniently, today’s penguins are rather aquatic animals (similar in this respect to Hesperornis), some of which are quite migratory during their lifetimes and others of which stay fairly close to home. Some species grow fairly quickly, and others grow slowly by comparison. Because we can understand the generalities (and many specifics) of modern penguin behavior, they make good lenses through which to interpret the past.

Gentoo Penguin Colony

A day at the beach for Gentoo Penguins. “Gentoo-Colony” by Ben Tubby – IMGP8815. Licensed under Creative Commons Attribution 2.0 via Wikimedia Commons

Wilson and Chin sampled four specimens of Hesperornis (three from Kansas in what is now the Midwestern United States, one from Nunavut in the Canadian Arctic) as well as a spectrum of individuals from three different penguin species with a variety of migratory behaviors (Adélie, gentoo, and chinstrap penguins–all members of the genus Pygoscelis). Hind leg bones were cut up, glued to a microscope slide, polished, and examined under high magnification.

"What are you looking at?" Chinstrap penguin, photo by Jerzy Strzelecki. CC-BY.

“What are you looking at?” Chinstrap penguin, photo by Jerzy Strzelecki. CC-BY.

None of the penguin bones–for migratory or non-migratory species–showed evidence of growth marks; thus, this feature isn’t reliable for inferring migration patterns. Interestingly, the non-migratory gentoo penguin showed some differences in the basic fabric of the bone from its migratory kin. These features included more radial bone and higher vascular canal densities (related to the number of blood vessels permeating the bone). Wilson and Chin suggest, based on comparisons with other animals as well as growth rate data for penguins, that these features are related to a very rapid growth rate in gentoo penguins. This may be related, in part, to the need for the penguins to reach full size prior to the start of the harsh Antarctic winters. More study is needed, they note, particularly to see if these patterns hold throughout the rather larger range of gentoo penguins (the sample used here was from the southerly limits).

Overall, the Hesperornis from north and south didn’t differ in any substantive way that couldn’t be attributed to differences in the age of the animals at death. Importantly, it looks like the animals reached skeletal maturity (adult size and a cessation of major changes in the skeleton) within a year of hatching. Thus, even if migration patterns caused stresses to the body that could show up in the skeleton, they probably wouldn’t be visible in Hesperornis. They just didn’t grow enough after the first year to show this kind of seasonal skeletal marking, similar to penguins today. This could be interpreted two ways: 1) the animals got big enough, quickly enough, to be able to migrate long distances soon after hatching; or 2) the animals got big enough, quickly enough, to be able to tolerate long, cold winters. Unfortunately, we can’t tell from the evidence at hand.

This uncertainty might be frustrating to some (did Hesperornis migrate, or not?!), but that shouldn’t overshadow the major accomplishments of this study. First, there is now a lot more information about how one ancient bird grew–the study by Wilson and Chin greatly expands the previously published sample for Hesperornis, particularly in terms of geographic representation. Secondly, the study provides a major new dataset on the bone of extant penguins, which helps interpret both life in the past and life in the present. Bone histology may not hold the keys to tracking ancient migrations after all.

The research was published in a new open access journalRoyal Society Open Science. It’s excellent to see an expanding number of open access venues, and equally excellent to see scientists using these venues!

The hypnotic patterns of gentoo penguin bone, under high magnification and cross-polarized light. The image here is <2 mm across. Modified from Figure 6 in Wilson and Chin 2014. CC-BY.

The hypnotic patterns of gentoo penguin bone, under high magnification and cross-polarized light. The area shown here is <2 mm across. Modified from Figure 6 in Wilson and Chin 2014. CC-BY.

*When O.C. Marsh published his United States Geological Survey monograph on toothed birds (including Hesperornis), it was decried by some in the Washington establishment as evidence on the boondoggle of federally funded science (among other things–the full situation was quite complex and ugly). That controversy led, in part, to funding cuts for the USGS, including the loss of Marsh’s position with the survey. The more things change, the more they stay the same.

Citation
Wilson, L. E., and K. Chin. 2014. Comparative osteohistology of Hesperornis with reference to pygoscelid penguins: the effects of climate and behaviour on avian bone microstructure. Royal Society Open Science 1:140245. http://dx.doi.org/10.1098/rsos.140245

Category: Birds, Dinosaurs, Paleontology, Zoology | Tagged , , , , , | Leave a comment

Which (non-open access) journals can paleontologists access?

In a previous post, I detailed the various ways in which paleontologists access the non-open access literature. Institutional subscription was the most commonly-used method (but not for all people who answered a survey on the topic!), followed by accessing author-posted PDFs or requesting PDFs over social media.

A logical follow-up question is which non-OA journals are most commonly available to paleontologists via their institutions, at least when institutional subscriptions are available. Which subscription-based journals are least available?

To evaluate these questions, I posted a survey and advertised it via Facebook and Twitter. The sample shouldn’t be considered scientific, but it probably can be considered at least a general picture of the state of things for many paleontologists.

Here are the results! A total of 115 responses were submitted. One minor note: due to the nature of the survey form, there may have been some small errors in how some individuals responded, and some did not answer particular questions. Note, for instance, that 78% of respondents reported institutional access, but 24% reported no access at all to Nature. I do not expect, however, that these kinds of errors would have greatly influenced the reported percentages. Note, also, that individuals could report both a personal subscription as well as institutional access. [click table to enlarge -- a text-based table didn't present well, so I include the results as a graphic]

Type of electronic access, if any

survey

Some general observations:

  • I am somewhat surprised by the rate of inaccessibility reported for some journals. For instance, a quarter of all respondents indicated no access to Science or Nature, journals which have a reputation as being widely accessible. Now, the survey did include respondents from small museums, government agencies, and amateur collectors; this is probably where many of those without access reside.
  • Society journals are doing reasonably well, for the most part–if you are a vertebrate paleontologist wanting to reach an audience of vertebrate paleontologists, JVP is one of the better options in terms of accessibility. I speculate that some folks keep their memberships at least in part for the journals.
  • Some journals that are anecdotally considered “top tier” (and which I personally consider to often publish very solid science) are not terribly easily accessible. This should be given some consideration for those cases when having to submit to a non-open access journal.
  • Best quote from the survey, regarding a journal I shall not identify [edited for punctuation]: “If I was going to publish something I didn’t want someone to see, I’d put it there.

How to use these results?

Firstly, the only way to guarantee easy electronic access to one’s research is to publish in open access or free-to-read journals. Barring that, institutional repositories or personal PDF posts can be a secondary measure (although I suspect that the activation energy required for many readers to locate such sources outside journal websites is a significant barrier).

However, based on conversations with colleagues at various stages in their career, publishing in certain non-OA journals is important. But, that still doesn’t absolve a researcher from working to ensure that their work has at least a minimum level of easy accessibility. We can say “just use ILL” or “just write to the author”, but every barrier to immediate access reduces even cursory skimming of a paper by potential readers. If you absolutely have to publish in a non-OA journal, it is worth your time (and career) to publish in one that is more widely available than not.

So, if you have to submit to a non-OA journal, give some consideration to these survey results. If many of your colleagues and other potential readers won’t be able to read your work easily, you may want to submit elsewhere.

Category: Open Access, Paleontology, Publishing | Tagged , , , | 2 Comments

How do paleontologists access the (non-open access) literature?

It is no secret to those who know me that I am strongly supportive of open access (OA)–published data and personal experience alike show that OA is strongly beneficial to science. That said, it’s not as if we can ignore the “non-open” (call it paywalled or subscription based or whatever) literature. Some really great research is published there, and it is often necessary to get access to it one way or another.

One thing I have been really curious about is how paleontologists and paleontology enthusiasts access the non-OA literature. Is literature access even a problem for most people? If you don’t have institutional subscriptions, what other methods work?

Mostly for my own curiosity, and partly so I can be better informed on the issues, I put together an informal, non-scientific survey. The survey asked questions about how people access the literature, the kinds of journals they can access most easily, and basic demographics. I advertised the survey via Twitter and Facebook. I wouldn’t count it as a scientific sample by any means, but I do feel that I got reasonably good coverage of various types of paleontologists at various types of institutions (as well as non-paleontologists who follow the literature). 115 individuals responded, during the course of about a week. I’ll be exploring these results in the this and a few upcoming posts.

How do you access the literature?
The first survey question focused on the methods that people use to access the literature–institutional access, personal subscription, requests via social media, etc. The question was specifically worded as, “In which ways do you electronically access full text articles from the scientific literature that require subscription?”

Which methods do you use to access the literature? Results from a recent survey.

Which methods do you use to access the literature? Results from a recent survey. Note: “Author-posted PDF” includes sites like academia.edu.

These results show that people, as a whole, use a whole variety of options to access “paywalled” literature. There’s a surprising amount of variety–but which methods are most commonly used? To assess that, I asked the same question in a different fashion, asking survey-takers to indicate the three methods they most commonly used.

Most commonly used methods to access literature.

What are the top 3 methods you use to access the subscription-based literature? Results from a recent survey.

This, I think, is a much more informative set of results. Perhaps unsurprisingly, “institutional subscription” was rated as one of the top methods for accessing literature by 76% of those who answered the question–after all, 60% of the respondents indicated they were at a college or university.

was a bit surprised by the next most highly rated category–author-posted PDF (as worded, the question included authors’ personal websites, institutional websites, and external sites such as academia.edu). A full 40% of respondents indicated this as frequently-used. More on the implications of this below.

The third most-indicated method was requests over social media–Facebook, Twitter, and the like, selected by nearly 30% of those who responded.

There are also a few interesting “mismatches” between the two survey questions, suggesting that some methods are widely but infrequently used. This would include contacting authors for the PDF and getting PDFs from colleagues with subscriptions, in particular.

What does this mean?
So, with this information in hand, what can we do as scientists and other folks interested in the paleontology literature? If there are cases where we have to (or feel we have to) publish in non-open access literature, how can we maximize availability of our work?

1) Don’t assume that an institutional subscription will necessarily get your work into the hands of interested readers. Nearly a quarter of the respondents don’t list this as their primary source of literature access! In an upcoming post, I’m going to talk about access to specific journals, which will illuminate the issue even more. Without giving too much away, some choices are far better than others.

2) Author-posted PDFs are quite important for distribution of scholarly literature. So, if you’re an author, get that PDF out there! And if the journal doesn’t allow it, consider another journal (read your publication agreements–once you sign that piece of paper, you may not have all of the rights you think you do!).

3) A large percentage of people use “unauthorized” methods (i.e., those explicitly not allowed by journal terms of use and publication agreements) to access literature. This includes requests over social media, bumming PDFs from colleagues with access, and internet forums. One could argue that these folks should just use “legitimate” methods like ILL, writing the authors, etc., but the reality is that people don’t, and this is at least in part a factor of convenience as well as necessity (once an author dies, it’s hard to get in touch with them). As an author I would much rather my work be convenient and easy to access than not. I’d also rather my work be convenient, easy, and legal to access by multiple methods.

Coming Up…
Which subscription-based journals are most widely available? Which journals most guarantee that your work is hard to find? The answers may surprise you.

Final note…source data will be posted once I’ve concluded with the series!

Category: Open Access, Paleontology, Publishing | Tagged , , , , | 5 Comments

The Figure Makes the Fossil

As I wrap up revisions on a manuscript, as well as continuing the day to day work in “my” museum collection, I’ve been thinking a lot about what makes a good figure of a fossil. The thought is driven in part by wanting to illustrate the specimens we’re describing in detail, but it’s also driven by the need for my co-workers and me to be able to identify specimens as they come in from the field.

Illustrations, ideally, are used by more than just the few specialists on a group. Life at a museum makes me realize just how much collections staff* need good illustrations, too! It also makes me experience the complete inadequacy of the figures in the great majority of papers. Much of this inadequacy, I suspect, stems from historical space limitations in print journals…now that that is changing (for at least some journals), it’s a good time to talk about what makes a well-illustrated fossil.

*edit: and amateur collectors! I realized I had left this out in my initial post.

Multiple views of the skull of Nyanzachoerus khinzir, a fossil pig from Chad. CC-BY, from Boisserie et al., 2014.

Multiple views of a partial skull of Nyanzachoerus khinzir, a fossil pig from Chad. CC-BY, from Boisserie et al., 2014.

Lots of views
Most fossils are highly three-dimensional objects, so multiple views are essential to capture the anatomy. Unless we’re dealing with a heavily flattened fish or leaf imprint, multiple views are essential. An oblique view is nice too–sometimes that’s what it takes to better highlight a particular feature. Even better? 3D models. In ascending order of usefulness, this includes movies, 3D PDFs, and printable, freestanding 3D files (e.g., STL or PLY format).

Skeleton of the ankylosaur dinosaur Chuanqilong chaoyangensis, with photo and line drawing. CC-BY, from Han et al., 2014.

Skeleton of the ankylosaur dinosaur Chuanqilong chaoyangensis, with photo and interpretive line drawing. CC-BY, from Han et al., 2014.

Drawings
Every fossil needs some interpretation, particularly in the case of skulls and other complex fossils. A good drawing will indicate sutures, important holes, and other features that may not be easily visible on a photograph. [Note: this includes not just line drawings, but also other renderings--a skilled artist can work wonders with a fossil!]

Detail of a Cretaceous crocodilian tooth at maximum published resolution. CC-BY, modified from Pol et al. 2014.

Detail of a Cretaceous crocodilian tooth at maximum published resolution. “de” indicates a denticle. CC-BY, modified from Pol et al. 2014.

High resolution
This should be a no-brainer, but it is amazing how many journals require high-resolution figures at submission and then publish heavily down-sampled images. This is a waste of the authors’ time, and it reduces the utility of the image for the reader. That extra bit of zoom can be really valuable sometimes, particularly for multi-part figures!

This is what a sample size should look like! One block from the new pterosaur discovery site--scale bar equals 200 mm. From Manzig et al., 2014, CC-BY.

A fantastic color image of a pterosaur (flying reptile) mass accumulation. CC-BY, from Manzig et al., 2014.

Color
It is incredible what things pop out in a color versus a grayscale image. Areas of reconstruction, crushing, and changing bone type are often far more easily seen when all of the color data are left intact. Thankfully, many journals now encourage color images, even if the printed copy remains in grayscale.

Scales of an ancient acanthodian fish, Nerepisacanthus, showing the fossil in full-color and the counterpart coated to enhance detail. CC-BY, from Burrow and Rudkin, 2014.

Scales of an ancient acanthodian fish, Nerepisacanthus, showing the fossil in full-color and the counterpart coated to enhance detail. CC-BY, modified from Burrow and Rudkin, 2014.

Grayscale / Color-Free
Yes, this goes against everything I just said above. Some specimens, depending upon preservation, are mottled to a point where it is difficult to pick out morphology. In this case, a color-free representation can be invaluable. This is best achieved by either coating specimens with an appropriate substance (as in the above image), or digital scans reconstructed without the obstructing colors.

Hand bones of Nimbadon, an extinct, arboreal wombat-like marsupial. CC-BY, from Black et al. 2012.

Hand bones of Nimbadon, an extinct, arboreal wombat-like marsupial. CC-BY, from Black et al. 2012.

Illustrate everything
Fossils rarely manifest as complete skulls or highly diagnostic elements. Sure, teeth are the most diagnostic part for many mammals, but what about the rest of the skeleton? Many collection drawers are filled with isolated and unidentified wrist and ankle bones, the durable blocky elements that fossilize so nicely. Unfortunately, they’re often very poorly illustrated in the literature! Good luck trying to “figure out” an entocuneiform or a navicular (pun only somewhat intended). Collections staff and researchers can spend a lot of time trying to identify common, complete, and clearly diagnostic elements that just don’t have comparable material widely figured in the literature (particularly in the absence of a good, identified comparative collection). This even applies to some quite common fossils. For instance, horse teeth are quite well illustrated, but it’s surprisingly difficult to find figures of individual vertebrae or some of the more obscure ankle bones.

Parting Thoughts
As scientists, we should strive to make our work as accessible, reproducible, and useful as possible. Comprehensive and clearly rendered figures are essential for achieving this goal.

Category: Navel Gazing, Nuts and Bolts, Open Access, Paleontology, Technology | Tagged , , , | 3 Comments

Planting a Cretaceous Pond, South American Edition

If you close your eyes and visualize Mesozoic foliage, a few particular types of plants might spring to mind. There are probably some palm trees, a few ferns, a cycad (“sago palm”) or two, and if you are particularly in-the-know, a handful of monkey puzzles in the background.

Monkey puzzle tree

Just add dinosaur? Today’s monkey puzzle trees are a common (and not entirely unreasonable) trope in Mesozoic reconstructions. Photo by Scott Zona, CC-BY.

Of course, this only represents the shadow of an ecosystem. Today’s plant communities are ridiculously diverse affairs, with distinct species found from habitat to habitat. The same presumably holds for the Mesozoic, and this is confirmed by the fossils that are known. Due to the vagaries of preservation, however, some environments are better represented than others. Nice deciduous leaves from big oak-like trees? There are plenty to go around! Aquatic plants? Much harder to come by (in part because some of their parts are more delicate and less likely to preserve). Historical research biases also can play a role–for various reasons, the Mesozoic plants of North America are pretty well-known, but many aspects of those from the southern hemisphere are less studied. Paleontologists sometimes also pay more attention to collecting “showy” palm fronds and other tree leaves, at the expense of the equally important but less photogenic plant fossils.

One Mesozoic plant community that is particularly poorly known is that of freshwater aquatic plants from South America. This is particularly vexing, because a number of nice fossil localities are known from the northern hemisphere, combined with the fact that a lot was happening with plants during the Cretaceous (145 to 66 million years ago). During this interval, angiosperms (flowering plants) exploded onto the scene. Although aquatic plants are often stereotyped as primitive moss, flowering plants are a pretty important and visible part of freshwater ecosystems (think water lilies, lotuses, and duckweed, to name a few). Thus, it would be really nice to know what was going on “down south”. Were the same kinds of plants dominant as on northern continents? Or was it a unique ecosystem, as seen for the dinosaurs of the time?

Several fossil plant localities from Patagonia, Argentina, hold a trove of new information on ancient aquatic plants. Rocks of the La Colonia Formation represent a coastal ecosystem from the very end of the age of dinosaurs, during the Late Cretaceous. Although many of the sediments show marine or brackish water conditions (as indicated by the vertebrate fossils and rock types), some beds clearly preserve environments with more drinkable(?) water. Among these rocks, beautifully preserved plants–including everything from pollen to algae to leaves, roots and rhizomes–document a mostly previously unknown world. Although there are leaves and pollen of obviously “land-dwelling” species (e.g., tree ferns, shrubs, and palm trees), most intriguing are the remains of definitively water-bound plants.

Fossil lotus pollen with modern lotus leaves

Fossil pollen from Patagonia (inset), quite similar to that from modern lotus plants (background). CC-BY; pollen image from Cúneo et al., 2014; lotus leaves photographed by J.M. Garg.

A paper authored by N. Rubén Cúneo and colleagues, published last week in PLOS ONE, describes, identifies, and interprets these fossil plants in some detail. Previous contributions have focused on specific elements of the plant community, but this is the first major attempt to reconstruct the aquatic ecosystem as a whole. And what cool plants have been uncovered! To name a few:

So, what does this show? First, some of the plants (e.g., water ferns) are indicative of fresh water. Given the coastal nature of the rock deposits, this shows that the communities developed at times when saltwater was absent (even if relatively briefly). Furthermore, the types of plants are broadly similar to those found from the northern hemisphere at the same time. Many of today’s aquatic plant groups also show broad distributions, so not much has changed from the Mesozoic. Finally, the plants studied here are similar to plants that lived shortly after the big dinosaur extinction 66 million years ago. This suggests that the major global events and ecosystem changes didn’t make a permanent dent in the realm of aquatic botany.

Although the most cynical paleontologist might say the significance of this discovery is that we finally know what South American dinosaurs would have munched on if they waded into the water, the broader contribution of this study is even more exciting. Specimen by specimen, locality by locality, fossil assemblages such as the aquatic plants of Cretaceous Patagonia help us to better understand a fairly poorly known chapter of our planet’s life. There is a whole world to explore in those ancient ponds, wetlands, and marshes!

cretaceous_pond

Schematic of a Cretaceous plant community, Argentina, with photographs of modern relatives. CC-BY, Figure 9 from Cúneo et al., 2014.

Citation
Cúneo NR, Gandolfo MA, Zamaloa MC, Hermsen E (2014) Late Cretaceous aquatic plant world in Patagonia, Argentina. PLoS ONE 9(8): e104749. doi:10.1371/journal.pone.0104749

Category: Paleobotany, Paleontology, PLOS ONE | Tagged , , , | Comments Off

Things That Make a Vertebrate Paleontologist Weep with Joy

Pity the poor invertebrate paleontologist, stuck with the dilemma of not knowing which fossil to measure first.

Pity the poor invertebrate paleontologist, stuck with the dilemma of not knowing which fossil to measure first. Image by Mark Wilson, in the public domain.

There are times when I really wish I were born an invertebrate paleontologist. For many of them*, a few kilograms of rock can contain dozens or even hundreds of specimens of a single species. This is awesome, because some of the best science happens with large sample sizes. The more fossils you have, the easier it is to study variation within a single species, or track evolutionary change, or study the response of a species to changes in local environment and global climate. A single spectacular fossil offers a wealth of information, but a thousand spectacular fossils opens up the firehose of knowledge.

Why are so many invertebrate fossils so common, and thus so easily studied? For one, many invertebrates are fairly small. The smaller the organism, the less likely it is to get broken up by the various forces of nature, and the more likely you are to get a completely intact fossil. Additionally, some invertebrates include quite durable hard parts; thus, the fossil records of snails and clams and corals are pretty awesome. Vertebrate animals include hard parts too–but the complex, multi-jointed skeletons tend to get disassembled pretty quickly. If the skeletons are fragile, such as the hollow bones of flying reptiles (pterosaurs), the situation is even more dismal.

Thus, it is pretty special for paleontologists to find a new, large sample of a single species of extinct vertebrate. Last week, just this sort of announcement from Manzig and colleagues, published in PLOS ONE, caught the interest of the pterosaur community [full disclosure: I was the volunteer academic editor who handled this paper].

This is what a sample size should look like! One block from the new pterosaur discovery site--scale bar equals 200 mm. From Manzig et al., 2014, CC-BY.

This is what a sample size should look like! One block from the new pterosaur discovery site–every one of the “white” elements that you see is a single bone. Parts of at least 14 different individuals are represented in this image. Scale bar equals 200 mm. From Manzig et al., 2014, CC-BY. Click to enlarge.

A locality in southern Brazil preserved the remains of at least 47 different individuals, all interpreted as belonging to a single species. They were found in at least four different (but closely spaced) layers of rock, with the bulk from two of the four layers. The researchers named the new animal Caiuajara dobruskii, reflecting both its geologic origins (within the Caiuá Group) and its discoverers (Alexandre Dobruski and his son João Dobruski). Caiuajara is distinguished from other pterosaurs by the unique shape of the bones forming its toothless beak, among other characteristics. If you were to see one alive, the most striking feature (after its giant leathery wings) would probably be a massive bony crest atop the skull.

Beyond the fact that pterosaurs are a pretty cool group of animals, and that Caiuajara represented an awesome-looking beastie, the sheer sample size takes one’s breath away. There are large and small individuals, presumably representing young and old alike. Although “only” 47 individuals have been unearthed so far, it is quite likely that hundreds more remain unexcavated at the same site. You don’t often get this kind of sample for any vertebrate animal, let alone one with such a delicate and easily broken skeleton. Indeed, the known bones of Caiuajara are quite three-dimensionally preserved. This is especially rare for pterosaurs, because their thin-walled bones tend to get smashed to roadkill-like oblivion.

Last week’s publication was only a preliminary report, primarily covering the basic description and naming of Caiuajara. Now, the hard work begins–excavating, cleaning, studying, and interpreting the entire sample in detail. We may have to wait awhile, but in the end I suspect this animal will be known better than just about any other pterosaur.

Silhouette of Tapejara, a close relative of Caiuajara. Image by Jaime Headden, via phylopic.org. CC-BY.

Silhouette of Tapejara, a close relative of Caiuajara. Image by Jaime Headden, via phylopic.org. CC-BY.

*It is a bit of a misconception that all invertebrate fossils are common, and that all vertebrate fossils are rare. However, the number of common invertebrate species far exceeds the number of common vertebrate species.

Citation
Manzig PC, Kellner AWA, Weinschütz LC, Fragoso CE, Vega CS, et al. (2014) Discovery of a rare pterosaur bone bed in a Cretaceous desert with insights on ontogeny and behavior of flying reptiles. PLoS ONE 9(8): e100005. doi:10.1371/journal.pone.0100005

Category: Paleontology, PLOS ONE, Pterosaurs | Tagged , , | 1 Comment

Let’s Get Creative With Our Peer Review!

I’ve been around the editorial block a few times now, as a volunteer editor, peer reviewer, and author/co-author. One of the most dreaded steps of the whole process concerns author-recommended peer reviewers. It can be agonizing as an author to make the selections and hard work for an editor to figure out which suggestions have a likelihood of panning out as meaningful reviews. In the various papers I’ve authored, co-authored, and edited, a few problems appear with some frequency:

  1. Adding Dr. McFamous to the list of reviewers. Odds are non-negligible that this person is already overtaxed with review requests and will say no. If they do accept, odds are also non-negligible that their review will be about three sentences of fairly uninformative commentary, submitted 2-3 weeks after the deadline. Unless this person is a legitimate expert who has recently published on the specific topic of the paper, find someone else who is more qualified and more likely to have the time to review the paper in the detail it deserves. I am somewhat surprised by the frequency with which authors will suggest someone simply because they are well-known, without regard for whether the person is the best expert for the job.
  2. Submitting a “no fly” list of reviewers that is a mile long. There are legitimate reasons to request certain researchers to not review a paper (conflict of interest, real or perceived unprofessionalism, whatever), but anytime more than two or three people are listed, that raises all sorts of red flags for an editor. Possible explanations? 1) One of the authors has ticked off 90% of their colleagues. 2) The paper is so flimsy that anyone with real expertise is going to shoot it down. 3) The authors won’t accept even constructive criticism and are going to be a pain to both reviewers and editors. Note how none of this reflects well on the authors. As an editor, I do my very best to respect authors’ wishes, but there are times where some requests really stretch credulity.
  3. Suggesting reviewers from the same institution or research group as one of the authors. This happens with surprising frequency; even if you are at a quite large institution or within a fairly large research group, and even if the suggested reviewer is only a vague acquaintance, it has the appearance of a fairly major conflict of interest. If at all possible (yes, it can be difficult in small subfields or for certain taxa), suggest someone else.
  4. Same. Old. Reviewers. This syndrome regularly affects authors and editors alike. The result is a list of overwhelmingly male suggested reviewers, overwhelmingly from a handful of large Western European and North American research institutions. It is sometimes correlated with #1 (Dr. McFamous), because said expert once published a paper on the subject in Nature back in 1998, even if their research for the past 15 years has taken an entirely different direction. In all honesty, these scientists are not the only people qualified to review their papers, or often even the best people. Some really exciting science is happening at small research institutions, community colleges, and places outside the USA, by people from exceptionally varied backgrounds. If we say we want to diversify science (and we all hear this rhetoric frequently), let’s get serious about it when it comes to suggesting and inviting reviewers!
Your manuscript isn't as arcane as you think it is. The number of qualified peer reviewers may surprise you! Image of Codex Leicester, public domain, via Wikimedia Commons.

Your manuscript isn’t as arcane as you think it is. The number of qualified peer reviewers may surprise you! Image of Codex Leicester, by Leonardo da Vinci, public domain, via Wikimedia Commons.

If I had to guess, #4 (“Same. Old. Reviewers”) is the most prevalent, and I am undoubtedly guilty of it too, from both sides. That said, I’ve been making some serious efforts both as an editor and as an author to recognize and address the problem. Google Scholar is a major asset in this regard–a quick search on a topic, narrowed to the last two or three years of publications, will often bring up at least two or three reviewers with appropriate expertise. I tried the strategy with a paper I submitted recently and identified a couple of surprisingly logical and undoubtedly qualified researchers whom I had embarrassingly overlooked. The result was a deeper, more balanced suggested reviewer list and presumably a better review of my paper.

So, here’s my challenge to authors: be more creative on your list of suggested reviewers. And for editors: be more creative in whom you ask to review papers. Let’s build a better world of peer review!

[Just to reiterate, all opinions stated here are solely mine, and do not represent an official (or even unofficial) stance by any organization with which I am associated. Furthermore, the issues discussed here happen frequently enough over the years (seriously!) that it should be apparent I'm not talking about any paper in particular.]

Category: Miscellaneous, Navel Gazing, Open Access | Tagged , | 9 Comments

Pseudo-poo! All that glitters isn’t fecal gold

Coprolite? Or copro-might-be-just-a-rock? Image by Mark A. Wilson, in the public domain.

Coprolite? Or copro-might-be-just-a-rock? A problematic specimen from ancient Washington state. Image by Mark A. Wilson, in the public domain.

Fossil feces are the stuff of legend. Not only do they have the “gee-whiz-gross” factor, but they also preserve evidence of diet, parasites, and paleoecology in long-dead animals. An paleontological urban legend holds that the technical term–”coprolite”–was coined by an academic rival of the 19th century paleontologist Edward Drinker Cope. Sadly, this is just a fabrication, but the story illustrates our fascination with one of the more scatological ends of science.

This fascination extends into the world of fossil collecting as well as the commercial fossil trade–after all, what collector wouldn’t want a piece of dino dung? Purported coprolites are a fixture at rock shops and even some museum gift stores. Perhaps the most commonly available “coprolites” are from the Miocene (~6 million year old) aged Wilkes Formation of Washington State, USA. These specimens (such as the one at the head of this post) certainly look the part–squiggly, lumpy, and generally fecal in form. The Wilkes Formation preserves ancient wetlands, swamps, and plains, with abundant fossil plants but no vertebrate bones to speak of. Thus, the “coprolites” are blamed on ancient mammals, crocodilians, turtles, or even (erroneously, given the geological age) dinosaurs.

But, these alleged coprolites are probably too good to be true. Their mineral composition (mostly siderite, an iron-rich carbonate) as well as a complete lack of digested food remnants (such as bone bits, fish scales, or plant pieces) suggests to most geologists and paleontologists that something else is going on here. Essentially, it is now thought that the “coprolites” from the Wilkes Formation are simply mud squirted out under the pressure of burial or perhaps as decaying organic matter produced methane (Spencer 1993; Mustoe 2001). An alternative viewpoint is that the specimens are cololites–natural casts of the inside of an animal’s colon, with the skeleton itself dissolved away by soil chemistry (Seilacher et al. 2001). Although this explanation is intriguing, I find it unlikely given the very un-intestinal anatomy of many examples, including one recently publicized example of exceptional length (it’s on the auction block, so I won’t link to it directly). The same rocks produce many random “blobs” of similar composition, too; these just aren’t picked up and sold as coprolites! Finally, at least some of the specimens are found in nearly vertical orientations relative to the surrounding rock (Mustoe 2001), which would be highly unusual relative to typical preservation of vertebrate fossils.

So, how do you know if a poo-shaped rock is a genuine fossil or just pseudo-poo? The discovery of digested bits seems to be the best guide.

A copro-collage, organically and locally sourced from extinct moa. From Wood et al. 2012, CC-BY.

An authentic copro-collage, organically and locally sourced from extinct moa. From Wood et al. 2012, CC-BY.

References

Mustoe, G. E. 2001. Enigmatic origin of ferruginous “coprolites”: Evidence from the Miocene Wilkes Formation, southwestern Washington. Geological Society of America Bulletin 113:673–681. [paywall]

Seilacher, A., C. Marshall, H. C. W. Skinner, and T. Tsuihiji. 2001. A fresh look at sideritic “coprolites.” Paleobiology 27:7–13. [paywall]

Spencer, P. K. 1993. The “coprolites” that aren’t: The straight poop on specimens from the Miocene of southwestern Washington State. Ichnos 2:231–236. [paywall]

Yancey, T. E., G. E. Mustoe, E. B. Leopold, and M. T. Heizler. 2013. Mudflow disturbance in latest Miocene forests in Lewis County, Washington. PALAIOS 28:343–358. [paywall]

[Note to people working on "coprolites" of the Wilkes Formation in the future: make some of your stuff open access!]

Category: Geology, Paleontology | Tagged , | 5 Comments

Hupehwhat? Finding a home for some unusually odd marine reptiles

A more edible version of a hupehsuchian. Photo by TheBusyBrain, CC-BY

A more edible modern version of a hupehsuchian. Photo by TheBusyBrain, CC-BY 2.0

“Swimming sausage topped with armored mustard” is probably the best way to describe a hupehsuchian. These marine reptiles, known only from 248 million year old rocks in east-central China, were odd-balls at a time when a lot of odd-balls (by modern standards) roamed our planet. Hupehsuchians had tiny toothless heads, flippers with one or two extra embedded digits, and an elongated body swathed in close-knit ribs and armor plates. This heavily modified body makes hupehsuchians interesting as well as frustrating, because it has been tough for paleontologists to reach a consensus on how the group is related to other organisms.

Skeleton of Nanchangosaurus

Skeleton of the hupehsuchian Nanchangosaurus (click for a closer look). The head (incomplete in this fossil) is to the left. Modified from Chen et al., 2014, CC-BY 4.0.

Over the years, researchers have proposed any number of relationships for hupehsuchians, with the group being posited as closely allied with eosuchians (historically a junk bin for “primitive” lizard-like animals), archosaurs (the group including birds, crocodiles, and T. rex), or icthyosaurs (“fish lizards”). The superficially dolphin-like icthyosaurs have achieved broadest recognition in recent years as the sister group to hupehsuchians, but was this just the result of common adaptations for an aquatic lifestyle? Study of hupehsuchians has been hampered by poor access to specimens, minimal description in the literature, obscured anatomy for important features, and an overall scarcity of fossils.

Hupehsuchus, in silhouette. Public domain image by Neil Kelley via PhyloPic.

Hupehsuchus, in silhouette. Public domain image by Neil Kelley via PhyloPic.

In a paper published a few days ago in PLOS ONE, Xiao-hong Chen and colleagues use previously unpublished as well as reexamined hupehsuchian fossils to test the group’s relationships. The researchers focused in particular on Nanchangosaurus suni, which was the first hupehsuchian known to science when it was named over 50 years ago. For decades, only the original (holotype) specimen was around, and it was minimally studied. Fieldwork finally turned up another really nice skeleton in 2011, which forms the core of the new paper.

With two specimens in hand, Chen and co-authors assembled a ton of new data on Nanchangosaurus. Many previously unrecognized sutures between skull bones could be mapped (important for understanding evolutionary relationships), along with the forms of vertebrae and limb bones. Despite its historic importance, Nanchangosaurus had never been analyzed in a rigorous phylogenetic analysis. Thus, this animal could provide some critical evolutionary information.

Skull of Nanchangosaurus

Nanchangosaurus partial skull; the snout points to the left. Note in particular the lack of teeth in the impressions of the jaws. Modified from Chen et al., 2014. CC-BY 4.0.

The researchers ran numerous iterations of a phylogenetic analysis to reconstruct the evolutionary relationships of hupehsuchians and other extinct groups, utilizing 213 different anatomical features in 41 species. To explore the influence of convergent adaptations for the water, they ran one set of analyses with purported aquatic adaptations removed. In all cases, icthyosaurs were solidly identified as the closest relatives of hupehsuchians.

Of course, this doesn’t mean that hupehsuchians were ancestral to icthyosaurs–both are uniquely specialized in their own ways, and the oldest members of each group lived at approximately the same time. Either way, they aren’t far separated in time from their closest common ancestor. The analysis will probably get some criticism for its relatively small scale within the standards of contemporary phylogenetic analysis, as well as for the strategy of excluding perceived functional characters, but it certainly represents a unique contribution. Additionally, the greatly bolstered comparative data for Nanchangosaurus will pay big dividends for researchers in the future. Most interestingly, the relationships between all of the various marine and non-marine reptiles are still fairly poorly understood; more fossils and more detailed analyses are our best bet for sorting things out.

Grippia

Cousin? The early icthyosaur Grippia. Image by Dmitry Bogdanov, CC-BY 3.0.

Citations
Chen X-h, Motani R, Cheng L, Jiang D-y, Rieppel O (2014) The enigmatic marine reptile Nanchangosaurus from the Lower Triassic of Hubei, China and the phylogenetic affinities of Hupehsuchia. PLoS ONE 9(7): e102361. doi:10.1371/journal.pone.0102361

Want to read more about hupehsuchians? Check out this old post on their bony body tubes.

Updated to correct typo in number of characters & taxa in the phylogenetic analysis (thanks, Nick Gardner!).

Category: Paleontology, PLOS ONE | Tagged , , , , , | 2 Comments